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But for everyone else, it’s time to learn how to compress your bass.īefore you can become the master, you must first become the student… If you’re mixing jazz, folk, or classical music, using bass compression may not be for you. They’re shooting for something a little more natural. Lighter genres don’t need an especially thick and exciting low end sound. Plus, it makes volume balancing ten times easier, because each bass note is around the same volume. Without a compressor, each bass note fades out quickly, causing a loss of bottom end and fullness in between each note.īut with the right amount of compression, that fullness is always there. In modern music, this is nearly impossible without compression. You have to create a firm foundation in your mix in order to produce the kind of energy and excitement you want. I couldn’t hear the bass anyway! Why would it matter so much?Ī dozen or so years later, I understand completely.īecause without a solid low end, the song has no energy. It said a band could have any instrument the members wanted… but it HAD to have a bass. When I was 12, my parents gave me a book called How to Start a Band.Īfter reading it cover-to-cover, I was perplexed. Why Do Basses Need So Much Compression Anyway? By the end of this article, you’ll know the simple technique that the pros use to create solid (yet natural) sound Without a solid low end, the song has no “umphf.” If you learn to compress your bass properly, you’re one step closer to a radio-ready mix. The bass is the foundation of the entire mix.
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